Jacques Tati


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Since its release almost four decades ago, Jacques Tati’s Playtime (1967) has aged like a fine wine. It start­ed life as a crit­i­cal punch­ing bag and slow­ly gained recog­ni­tion as an exquis­ite­ly detailed (and very fun­ny) vision of a bland and ulti­mate­ly bleak mod­ern distopia.

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